![]() Another example is the instrumental bridge to The Beatles’ ‘In My Life’, from the 1965 album Rubber Soul. For example, recording something at a lower speed then playing it back at the standard speed would yield a high-pitched, squeaky tone, perhaps most famously exemplified by the Chipmunks albums, from the late ’50s onwards. This had very practical uses (I remember varispeed saving the day once when I had to record an acoustic piano that had been tuned a quarter-note flat), but it could also be used to create interesting timbral effects. Varispeed Recordingĭecent open-reel tape machines had a varispeed control, which would modulate the rate at which the tape travelled across the heads. I’ve also created a few videos to help you get a better feel for each example. Thankfully, Reaper allows you to replicate them all fairly effectively, and in this month’s column I’ll take you through a few tricks, explain how we did them back in the dark ages, and how to achieve the same thing in Reaper. While it’s not something I feel huge nostalgia for - computer-based recording has been a revelation in terms of efficiency and workflow - I still like to employ a few creative techniques from those days. I’m probably among the last generation of people who learned to record on open-reel tape. How to recreate open-reel tape trickery in Reaper. Remember that it’s your opinion that counts in your music making, so listen to your own feels and judgement.Setting the folder track record mode, ready to bounce down a guide track to record the reverse recordings against. To spice up the track even more, choose an effect of your choice and apply it on the synth track - I recommend the Flanger, Stereo Chorus or Vibrato effect. Now, the notes in the track have an approaching, intense feeling, and are also aligned with the harmony of the vocals. Now is the time to make the final touches - click the region ‘Edit’ button on ‘ Track 5 - Synth’ and choose Reverse. In this series, we’ve heard that pretty small adjustments can make our song sound more intense and unique. Open up the project here, and play all the tracks as you’re going through the following steps. Dare to try things out, and you’ll bump into magic in no time! We want to remove the initial attack on the SFX sample to make the reverse sound smooth and subtle!īy now you’ve probably felt the power of reversing sounds, and can think of ways to use it in your own projects! To make your production unique, it is crucial to take the time to explore - to add unexpected instruments to your song, improvise new melodies, invite collaborators or reversing everything in your project. Then, trim the end of the region to remove the last sliver of the sound, and then drag the region so that it ends right at the end of the other tracks. Click the edit button on the region at ‘ Track 4 - SFX’ and choose Reverse. ![]() On track 4, we have an SFX sample - but it's pretty awkwardly placed, and it could sound a lot cooler in reverse. We’ll get to the other tracks in the following weeks. Open up the project here, and for this step, play tracks 1-4 as you’re going through the following steps. It’s one of those tricks that will take your track to the next level! It’s a tried and true technique to add reversed sounds to mark the transition to a new part - if you listen for it, you’ll hear it everywhere in modern productions. In this section, we’ll do a nice transition, that will buff the intensity of our tune. Now, we have a really cool atmosphere in the track, by changing the region with just one click!ĭo you have any questions on this? Reply with a comment and our Audio Producer will explain further! Track 2 is a duplicate of track 1, with some other effects applied - let’s manipulate it further! Hover over the region on ‘ Track 2 - Vocal alt.’, click on the ‘Edit’ button that appears and choose Reverse. The first thing we want to do in our reversing journey, is to add a cool, mood setting ambience to this tune. Open up the project here, and for this step, play tracks 1-3 as you’re going through the following steps. ![]() It’s a shortcut to create sounds that are interesting and unique, and by applying this technique, your productions can sound a lot more professional. Reversing creates a sort of intense, inhaling motion - it’s perfect for building up tension to a new part of your song, like a drop for example, or to create a unique chord progression for your main beat. ![]() Reversing an audio file can easily change the whole feeling and rhythm of the sound. For this post, we’ve created a project that you can work on while going through the instructions.
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